CBSE Academic X STD Hindustani Music Sample Question Paper 2019-20 : cbseacademic.nic.in
Name of the Board : CBSE Academic
Class : X STD
Document Type : Sample Question Paper SQP 2019-20
Subject : Hindustani Music (Melodic, Percussion, Vocal)
Year : 2019-20
Website : http://cbseacademic.nic.in/SQP_CLASSX_2019_20.html
CBSE X Hindustani Music Question Paper
Download Question Paper of Class X Hindustani Music 2019-20 is now available in the official website of CBSE Academic.
Related : CBSE Academic Class X NCC Sample Question Paper 2019-20 : www.pdfquestion.in/34685.html
Melodic Questions
Section I :
1. Tick the correct answer
a) Thaat of Raga Khamaj is
(i) Bhairav
(ii) Bhairavi
(iii) Kafi
(iv) Khamaj
b) Aroh of Raga Des is
(i) Sa Re Ma Pa Ni
(ii) Sa Ga Ma Pa Ni
(iii) Sa Re Ma Pa Dha
(iv) Sa Re Ga Ma Dha
C) How many Matra and Vibhag are there in Tala Chautala
(i) 12 Mata – 4 Vibhag
(ii) 16 Matra – 4 Vibhag
(iii) 16 Matra – 6 Vibhag
(iv) 12 Matra – 6 Vibhag
d) Jati of Raga Bhupali is?
i) Audav – Shadav
ii) Shadav – Audav
(iii) Audav – Audav
(iv) Audav – Sampooran
e) 1 2 3 4 indicates which Tala
(i) Chautala- Sultala
(ii) Chautala-Rupak
(iii) Tilwada -Chautala
(iv) Rupak – Sultala
f) Correct Vadi – Samvadi of Raga Brindavai Sarang is
(i) Re – Ni
(ii) Ma – Sa
(iii) Pa – Re
(iv) Re – Pa
Section – II :
Define any three of the following
(i) Aalap
(ii) Dhamar
(iii) Razakhani Gat
(iv) Meend
Or
Write short notes on any three of the following
(i) Tana
(ii) Thumri
(iii) Masitkhani Gat
(iv) Murki
Section – III :
Describe the origin and development of the instrument opted for
Or
Throw light on the structure and tuning of any one of the instrument opted for
Section – IV :
Identify the ragas from the phrases given below and write Razakhani Gat in any one of the identified Ragas
(i) Ga Re Ga Pa Dha
(ii) Ma Pa Ni Sa Ni Dha Pa
Or
Identify the ragas from the phrases given below and elaborate each raga upto 30 swaras
i) Ni Dha Ma Pa Dha Ga Ma Ga
(ii) Re Ma Pa, Ni Pa Ma Re
Section – V :
Discuss the contribution of Allaudin Khan or Omkar Nath Thakur to Indian Music
Or
Throw light on the contribution of K.C.D. Brahaspati or Inayat Khan in their respective fields.
Percussion Questions
Section I :
Tick (v) the correct answer
a) How many kinds of ‘Graha’ are there?
(i) 1
(ii) 2
(iii) 3
(iv) 4
b) Minimum avartan of ‘Paran’ are
(i) 4
(ii) 5
(iii) 2
(iv) 1
C) 4 5 6 indicates the Tala
(i) Dadra
(ii) Keharwa
(iii) Rupak
(iv) Dhamar
d) How many kinds of ‘Jatti’ are there?
i) 3
(ii) 4
(iii) 5
(iv) 6
e) Laggi is used in :
i) Khyal
(ii) Dhrupad
(iii) Bhajan
(iv) Dhamar
f) Who was inventor or ‘Tripuskar Vadya’?
i) Bharat
ii) Swati
iii) Sharangdev
iv) Narad
Section – II :
2 Write any three of the following Talas in Thah Laya in Tala Notation System – Teentala, Aditala, Ektala, Chautala, Jhaptala and Sultala.
Or
Write one Rela or Kayada in Ektala or Chautala with one palta and one Tihai in Tala Notation System.
Section – III :
3. Write one Kayada or Rela and Sadharan Tukda or Paran in Teentala or Aditala with Tala Notation System.
Or
Write two traditional compositions of anyone Gharana of Tabla or Pakhawaj.
Section – IV :
4. Describe the origin & development of the Tabla or Pakhawaj.
Or
Write the salient feature of various Gharanas of Tabla or Pakhawaj.
Section – V :
5. Write in detail specialty of the Delhi Gharana of Tabla.
Or
Write in detail specialty of the Nath Dwara Gharana of Pakhawaj.
Download X Hindustani Music Question Paper 2019-20 :
Melodic :
https://www.pdfquestion.in/uploads/pdf2019/34690-Melo.pdfPercussion :
https://www.pdfquestion.in/uploads/pdf2019/34690-Per.pdfVocal :
https://www.pdfquestion.in/uploads/pdf2019/34690-Voc.pdf
Vocal Questions
Section I :
1. Tick (v) the correct answer
a) Thaat of Raga Khamaj
(i) Kalyan
(ii) Bhairav
(iii) Khamaj
(iv) Bilawal
b) Vadi – Samvadi of Raga Bhupali
(i) Re – Pa
(ii) Ga – Dha
(iii) Sa – Ma
(iv) Dha – Ga
C) Number of Matras in Tilwada
(i) 7
(ii) 10
(iii) 12
(iv) 16
d) Jati of Raga Des
i) Audav – Audav
(ii) Shadav – Sampooran
(iii) Audav – Shadav
(iv) Audav – Sampooran
e) Dha Dha Din Ta indicates which Talas
i) Rupak – Tilwada
(ii) Chautala – Rupak
(iii) Sultala – Chautala
(iv) Chautala – Tilwada
f) Aroh of Raga Brindavani Sarang
i) Ni Sa Re Ma Pa Ni Sa
ii) Ni Sa Re Ma Pa Ni Sa
iii) Ni Sa Re Ma Pa Ni Sa
iv) Ni Sa Re Ma Pa Ni Sa
Section – II :
2. Define any three of the following
(i) Aalap
(ii) Dhamar
(iii) Meend
(iv) Thumri
Or
Write short notes on any three of the following
(i) Tarana
(ii) Kan
(iii) Dhrupad
(iv) Tana
Section – III :
3 Describe the origin and development of Tanpura
Or
Throw light on the structure and tuning of Tanpura
Section – IV :
4. Identify the ragas from the following phrases and write the notation of a Drut Khayal in any one of the identified Raga
(i) Ga Re Ga Pa Dha
(ii) Ma Re Pa Ma Re
Or
Identify the Ragas from the following phrases and elaborate them upto 30 swaras each
(i) Ni Dha Pa Ma Pa Dha Ma Ga
(ii) Ma Ga Re Ga Ni Sa
Section – V :
5 Discuss the contribution of Tansen or KCD Brahaspati to Indian music.
Or
Throw light on the contribution of Omkar Nath Thakur or Faiyaz Khan in the field of music.