cbseacademic.nic.in X STD Hindustani Music Sample Question Paper 2017-18 : CBSE Academic

Name of the Board : CBSE Academic
Class : X STD
Document Type : Sample Question Paper
Subject : Hindustani Music
Year : 2017-18
Website : http://cbseacademic.nic.in/SQP_CLASSX_2017_18.html
Download Sample Question Paper :
Melodic Instruments : https://www.pdfquestion.in/uploads/22570-HM-Melodic-SQP.pdf
Percussion : https://www.pdfquestion.in/uploads/22570-HM-Percussion-SQP.pdf
Vocal : https://www.pdfquestion.in/uploads/22570-HM-Vocal-SQP.pdf
Melodic Marking Scheme : https://www.pdfquestion.in/uploads/22570-HM-Melodic-MS.PDF
Percussion Marking Scheme : https://www.pdfquestion.in/uploads/22570-HM-Percussion-MS.PDF
Vocal Marking Scheme : https://www.pdfquestion.in/uploads/22570-HM-Vocal-MS.PDF

CBSE Hindustani Music Question Paper

Time Allowed : 03 hours
Total Marks : 25

Update : CBSE Academic X STD Hindustani Music Sample Question Paper 2019-20 : www.pdfquestion.in/34690.html

Instructions

i. Attempt all questions. Internal choice is given in every question. Answer any one question from the alternative given.
ii. All questions carry equal marks.

Melodic Instruments Question Paper

1. Define the following : Aalap, Tana, Meend, Kan, Murki. 2
OR
Describe any two of the following Talas and write their Thekas with Dugun in tala Notation : Tilwada, Sultala, Chautala
2. Describe any Two of the following in detail : Dhrupad, Masitkhani Gat, Dhamar, Razakhani Gat.

3. Describe the origin and development of the instrument opted for.
OR
Describe the structure and tuning of any one instrument given in your syllabus.

4. Write in notation a Maseet Khani Gat in any one Raga from your syllabus. 3
OR
Write in notation a Razakhani Gat in Khamaj Raga or Des Raga.

5. Describe any Two of the following Ragas in detail : Bhupali, Khamaj, Durga
OR
Give the life sketch and contributions of Ustad Allaudin Khan or Ustad Inayat Khan to Indian Music. 4

Melodic Answer Key

1. Definition and varieties of each.
OR
Number of Beats, Tali, Khali, Vibhag and musical forms in which these Talas are used along with Tekas in Notation System.
2. Description , style and specialties.

3. How the instrument developed from its preliminary stage.
OR
Various Parts, their names and Tuning of each string.

4. Writing of (Sthai and Antara) of Maseetkhani Gat with strokes in Teental with Matra, Vibhag and signs.
OR
Writing of (Sthai and Antara) of Razakhani Gat with strokes in Teental with Matra, Vibhag and signs.

5. Ragas Thata, Vadi, Samvadi, Number and Nature of Swaras, Jati, time Aroha, Avroh, Pakad and swar-vistar.
OR
Musical Learning, Teaching Style, Contributions, Specialties of Styles and Awards, Students Trained.

Percussion Instruments Question Paper

1. Define any two of the following :
Farmaishi Chakradar, Laggi-Laddi, Gat, Mukhara
OR
Write short notes on Graha and Marg.

2. Write the origin and development of Tabla or Pakhawaj.
OR
Write in brief about TripuskarVadya.

3. Write in detail about Ajrada Gharana of Tabla or Kudau Singh Gharana of Pakhawaj.
OR
Write in brief about any of two the following : Delhi Gharan, Farukhabad Gharana, Lucknow Gharana, Banaras Gharana or Nana Panse Gharana, Nathdwara Parampra.

4. Write one Rela with three paltas and Tihai in Teentala with Tala Notation system.
OR
Write one Kayada of Delhi Gharana with three paltas and Tihai in Teentala with Tala Notation system.

5. Write one Kayada or Rela in Ektala with three paltas and Tihai with Tala notation system.
OR
Write the Thekas of Jhaptala or Sultala in Thah, Dugun and Chaugunlaya with Tala Notation system.

Percussion Answer Key

1. Farmaishi Chakradar – Definition, Bols, Matra, Vibhag Tala. Laggi – Laddi – Definition, Bols, Laya. Gat – Definition, Bols, Composition. Mukhara – Bols, Matra.
OR
Graha and Marg – Definition, Laya, Compositions.

2. TripuskarVadya, Ankik, Urdavak, Alingya
OR
PuskarVadya, Tripuskar

3. Gharana : Key word of Gharana, Founder of Gharana, techniques, legend artists of Gharana, famous compositions.
OR
Key word of Gharana, Founder of Gharana, techniques, legend artists of Gharana, famous compositions, specialty of Gharana .

4. Rela – Definition, Bols, Tala, Laya, Compositions.
OR
Kayada – Definition, Prastar, Tala, Avartan, Tali, Khali
5. Kayada – Rela – Ektala, Notation ,Tala System. Thekas – Tala, Beats, Vibhag, Matra, Laya.

Vocal Question Paper

1. Define the following
Meend, Tana, Kan, Khatka, Aalap.
OR
Describe any two of the following Dhamar, Thumri, Tarana.
2. Give a detailed study of origin and development of Dhrupad or Khayal.

3. Describe in detail any two of the following Ragas
i. Bhupali
ii. Durga
iii. Des
OR
Give life sketch and contribution to music of any one of the following
i. Miyan Tansen
ii. Sadarang

4. Write the notation of a Drut Khayal in any one of the prescribed Ragas.
OR
Write the notation of a Vilambit Khayal in any one of the prescribed Ragas.

5. Describe the structure and tuning of Tanpura.
OR
Describe any two of the following Talas and write their thekas with Thah and Dugun :
i. Sultala
ii. Chautala
iii. Rupak

Vocal Answer Key

1. Definition and varieties of the musical terms.
2. Definition, Origin, Development, Vanies/ Varieties, Famous Dhupad/ Khayal Singers, Present scenario.

3. Thaat, Vadi, Samvadi, Jati, Time, Nature of Swaras, Varjit Swaras, Aroha, Avaroha, Pakad, Swar-Vistar and Special Features.
OR
Musician’s Training, Teaching method, Musical Style, performance, New innovations, Awards, Disciples.

4. Notes and words of a Drut Khayal (Sthai and Antara) with Matra, Vibhag, Sam, Tali, Khali in any one of the prescribed Ragas.
OR
Notes and words of a Vilambit Khayal (Sthai & Antara) with Matra, Vibhag, Sam, Tali, Khali in any one of the prescribed Ragas.

5. i. Different parts of Tanpura
ii. Tuning of Tanpura
OR
Boles of the Thekas with dugun to be written with Matra, Vibhag and Tala Signs.