cbsenet.nic.in NET Drama / Theatre Model Question : Central Board Of Secondary Education

Organisation : Central Board Of Secondary Education
Exam : National Eligibility Test (NET)
Document Type : Model/Previous Question Paper
Subject :Drama / Theatre
Date/Year : 10.07.2016 & 28.08.2016

Website : http://cbsenet.nic.in/cbsenet/QuestionPaperJuly2016.aspx
Download Sample Question Paper :
Paper III 10.07.2016 : https://www.pdfquestion.in/uploads/10820-Dram&Theatre.pdf
Paper III 28.08.2016 : https://www.pdfquestion.in/uploads/10820-DramaTheatre28.pdf

Drama / Theatre Model Question :

Time : 2 1/2 hours
Maximum Marks : 150
Note :
** This paper contains seventy five (75) objective type questions of two (2) marks each.
** All questions are compulsory.

Related : Central Board Of Secondary Education NET International & Area Studies Model Question : www.pdfquestion.in/10799.html

1. Match the items in List – I with those in List – II :
List – I List – II
a. Emotion-expressive mode of dramatic presentation
i. Arabhati
b. Graceful mode of dramatic presentation ii. Bharati
c. Verbal mode of dramatic presentation iii. Kaishiki
d. Vigorous mode of dramatic presentation iv. Sattavati
Codes :
a b c d
(1) ii i iii iv
(2) i ii iv iii
(3) iii iv i ii
(4) iv iii ii i

2. Assertion (A) : The Stanislavski system is a guide. Open and read. The system is a handbook, not a philosophy.
Reason (R) : The moment when the system begins to become a philosophy, is its development.
Codes :
(1) Both (A) and (R) are true.
(2) (A) true, (R) false.
(3) Both (A) and (R) are false.
(4) (A) false, (R) true.

3. Arrange the following plays according to their time
(1) Ubu Roi, Man and Superman, The Hairy Ape, No Exit
(2) Man and Superman, The Hairy Ape, Ubu Roi, No Exit
(3) Ubu Roi, The Hairy Ape, Man and Superman, No Exit
(4) Man and Superman, Ubu Roi, The Hairy Ape, No Exit

4. Trace the odd one out
(1) Naqal
(2) Nautanki
(3) Teyyam
(4) Bhandjashna

5. The productions of Hayvadan; Charandas Chor and Chakravyuha are the outcome of
(1) Progressive Theatre Movement
(2) Theatre of Roots Movement
(3) Post-dramatic Theatre Movement
(4) Indian People’s Theatre Association

6. Match the items in List – I with those in List – II :
List – I List – II
a. Ancient Mime i. Masked actors
b. Ancient Pantomime ii. Bathyllus
c. Tragic Pantomime iii. Solo unmasked performer
d. Comic Pantomime iv. Pylades
Codes :
a b c d
(1) iii i iv ii
(2) i iii ii iv
(3) ii iv i iii
(4) iv iii ii i

7. Assertion (A) : According to the neo-classicists, plays should be written in five acts, observe the unities and uphold poetic justice in their endings.
Reason (R) : They believe that tragedy should treat the domestic world of the middle or lower classes while comedy should develop stories of kings and nobles.
Codes :
(1) Both (A) and (R) are true.
(2) Both (A) and (R) are false.
(3) (A) true, (R) false.
(4) (A) false, (R) true.

8. Indicate the correct sequence in the context of the geographical origin from East to West
(1) Nanxi, Noh, P’ansori, Bhaand
(2) Noh, P’ansori, Nanxi, Bhaand
(3) Bhaand, Nanxi, P’ansori, Noh
(4) P’ansori, Bhaand, Noh, Nanxi

9. Pick the odd one out
(1) Front Elevation
(2) Bird’s eye view perspective
(3) Side Elevation
(4) Ground Plan

10. It is a monologue in one-act using the mode of akashabhashita.
(1) Vyayoga
(2) Anka
(3) Bha a
(4) Vithi

11. Match the items in List – I with those in List – II :
List – I List – II
a. Aeschylus i. The Menaechmi
b. Sophocles ii. Prometheus Bound
c. Plautus iii. Lysistrata
d. Aristophanes iv. Antigone
Codes :
a b c d
(1) ii iv i iii
(2) iv iii ii i
(3) i iv ii iii
(4) ii iv iii i

12. Assertion (A) : Vietnamese folk theatre Cheo is rooted in rural villages and is revealing of simple country life and its values.
Reason (R) : Cheo reflected desires for peaceful, harmonious lines amidst the appressive feudal system.
Codes :
(1) Both (A) and (R) are true.
(2) Both (A) and (R) are false.
(3) (A) true, (R) false.
(4) (A) false, (R) true.

13. Arrange the following parts of the stage from back to front
(1) Cyclorama, Trapdoor, Proscenium arch, Lightingbooth, Aprone
(2) Lightingbooth, Trapdoor, Proscenium arch, Cyclorama, Aprone
(3) Cyclorama, Trapdoor, Proscenium arch, Aprone, Lightingbooth
(4) Aprone, Lightingbooth, Cyclorama, Proscenium arch, Trapdoor

14. Trace the odd among the following in the context of Rasa
(1) Bhojya Rasa – Natya Rasa
(2) Upchiti – Utpatti
(3) Anukruti – Anumiti
(4) Anubhuti – Abhivyakti

15. The Publication, Indian Theatre : Traditions of Performance, is edited by
(1) Suresh Awasthi
(2) Oscar Brockett & Robert Ball
(3) Farley Richmond, Darious Swann and Phillip Zarilli
(4) Nemichandra Jain, K.D. Tripathi and Kapila Vatsyayan