cbsenet.nic.in Karnatak Music Paper III Model Question : Central Board Of Secondary Education

Organisation : Central Board Of Secondary Education
Exam : National Eligibility Test (NET)
Document Type : Model/Previous Question Paper
Subject : Karnatak Music
Date/Year : 10.07.2016 & 28.08.2016

Website : http://cbsenet.nic.in/cbsenet/QuestionPaperJuly2016.aspx
Download Sample Question Paper :
Paper III 10.07.2016 : https://www.pdfquestion.in/uploads/10810-KarnatakMusic.pdf

Karnatak Music Model Question :

Time : 2 1/2 hours
Maximum Marks : 150
Note :
** This paper contains seventy five (75) objective type questions of two (2) marks each.
** All questions are compulsory.

Related : Central Board Of Secondary Education NET Tourism Administration & Management Model Question : www.pdfquestion.in/10806.html

1. The Shuddhamadhyama mela of Dhatuvardhani
(1) Mararanjani
(2) Charukeshi
(3) Gangeyabhushani
(4) Sarasangi

2. Assertion (A) : ‘Chalamelara’ in Margi Hindolam describes the beauty of Rama.
Reason (R) : Tyagaraja compositions include Ninda stuti kritis.
Codes :
(1) (A) is correct, (R) is wrong.
(2) Both (A) and (R) are wrong.
(3) Both (A) and (R) are correct.
(4) (A) is wrong, (R) is correct.

3. The earlier name for ‘Swarakshara’ was :
(1) Swarasthana
(2) Swarartha
(3) Swarasahitya
(4) Swarabheda

4. A kriti in Kedaragoula
(1) Ali veni
(2) Marachuvadana
(3) Chakkaniraja
(4) Karunajaladhi

5. An ubhaya vakra raga
(1) Kannada bangala
(2) Nadachintamani
(3) Umabharna
(4) Poorvi Kalyani

6. The Kriti “Vallabha nayakarya” in the raga Begada has beautiful decorative anga.
(1) Swarakshara
(2) Solkattuswara
(3) Yati
(4) Manipravala

7. Sung by Ritwiks at the altar of sacrifice :
(1) Uha Gana
(2) Aranya Gana
(3) Yoni Gana
(4) Prakriti Gana

8. “Oyillattam” is
(1) Folk dances by men waving handkerchiefs
(2) Folk dance with sticks
(3) Folk dance with dummy horses
(4) Folk dance with story naration

9. A popular composer of Nrittanatakam
(1) Muthu Tandavar
(2) Govinda Deekshitar
(3) Melattur Venkitaramasastri
(4) Govindacharya

10. Sa ra ma pa nu sa Sa nu dha pa ma pa dha ma gu ra sa is the Arohana and Avarohana of
(1) Gowri
(2) Ghanta
(3) Gowlipantu
(4) Gamakapriya

11. ‘Veerasrinkhala’ title was conferred on
(1) Moolam Thirunal
(2) Muttaih Bhagavatar
(3) Shatkala Govinda Marar
(4) Parameshwara Bhagavatar

12. “Pushkara” is
(1) Trimukha Vadya
(2) Dwimukha Vadhya
(3) Ekamukha Vadhya
(4) Drum with open face

13. Prominent vaggeyakara lived in Tanjore
(1) Anayya
(2) Vinakuppier
(3) Pallavi Seshayyar
(4) Varadacharier

14. ‘Shanmukhapriya’ is used by Dikhitar in his kritis as :
(1) Shanmukhapriya
(2) Shanmukha
(3) Mukhapriya
(4) Chamaram

15. Sacred hymns by Manikavasagar
(1) Tevaram
(2) Tolkappiyam
(3) Tiruppavai
(4) Thiruvasagam

16. ‘Clarinet’ can cover a range :
(1) over three octaves (2) over four octaves
(3) over 2½ octaves (4) over 3½ octaves
17. Another name for Ragavardhani
(1) Karanam (2) Vistaram
(3) Vidari (4) Muktayi
18. Assertion (A) : Compositions of Vina Kuppayyar reflect style of Tyagaraja.
Reason (R) : Most of the composition of Tyagaraja are in Madhyama kala.
Codes :
(1) (A) is wrong, (R) is correct.
(2) (A) is correct, (R) is wrong.
(3) Both (A) and (R) are correct.
(4) Both (A) and (R) are wrong.

19. Match the following :
List – I List – II
(a) Sudha Madhurya (i) Kapi Narayani
(b) Rama Ramaguna (ii) Saranga
(c) Sarasa Samadana (iii) Tyagaraja
(d) Bhashanga Sampoorna Raga (iv) Swati Thirunal
Codes :
(a) (b) (c) (d)
(1) (iii) (ii) (i) (iv)
(2) (i) (iii) (iv) (ii)
(3) (iii) (iv) (i) (ii)
(4) (iii) (iv) (ii) (i)

20. Not a Vina
(1) Nakuli
(2) Alapini
(3) Vipanchi
(4) Vartani

21. The youngest composer in Music :
(1) Tyagaraja
(2) Tirujnanasambandar
(3) Papanasam Sivam
(4) Aruna Girinathar

22. ‘Simhandra Madyamam’ was known in the Asampoorna mela padhathi as
(1) Sumadyuti
(2) Simha madyamam
(3) Syama
(4) Saindhavi

23. The essence of the content of Bhagavata dasama skandha lies n
(1) Ramanatakam
(2) Krishnalila tarangini
(3) Gitagovindam
(4) Nowkacharitram

24. Pancharagamalika Swarajathi composed by
(1) Patnam Subramanya Iyyar
(2) Sri Swati Tirunal
(3) Tiruvattiyur Thyagayyar
(4) Mullamood Bhagavatar

25. Aksharas in Pluta Druta Viramam
(1) 11
(2) 14
(3) 15
(4) 13

26. Arohanam of Vivardhini raga is :
(1) S R M P D N
(2) S R M P
(3) S R G M P D S
(4) S G M P D

27. The Deekshitar kriti ‘Sree Mahaganapatim’ in Goula raga is set in
(1) Dakshina marga
(2) Chitramarga
(3) Ati Chitratama marga
(4) Chitratara marga

28. Choose the correct sequence of the chapters of Sangita Ratnakara :
(1) Swaragatadhyaya ; Ragavivekadhyaya ; Prakirnakadhyaya ; Prabandhadhyaya.
(2) Swaragatadhyaya ; Prakirnakadhyaya ; Ragavivekadhyaya ; Prabandhadhyaya.
(3) Swaragatadhyaya ; Ragavivekadhyaya ; Prabandhadhyaya ; Prakirnakadhyaya.
(4) Ragavivekadhyaya ; Swaragatadhyaya ; Prabandhadhyaya ; Prakirnakadhyaya.

29. Name of Mela with swaras ra, gu, mu, dhi, ni, in Bramha Chakra.
(1) Kamavardhini
(2) Hemavati
(3) Dharmavati
(4) Ramapriya

30. Mudra used by ‘Muvvalur Sabhapati Iyer’
(1) Muvva gopala
(2) Venugopala
(3) Raja gopala
(4) Mannaruranga

31. ‘Ulai’ of ancient tamil music corresponds to
(1) Shadja
(2) Panchama
(3) Madhyama
(4) Nishada

32. Thyagaraja named Mayuradwani as
(1) Gamakakriya
(2) Andholika
(3) Phenadhuti
(4) Pavani

33. Mela in Bana Chakra with swaras ‘ri, gu, ma, dhu, nu.
(1) Mararanjini
(2) Charukesi
(3) Naganandini
(4) Sarasangi

34. Dhaivata taken by the raga Mayamalavagoula
(1) Trisruti dhaivata
(2) Ekasruti dhaivata
(3) Dvisruti dhaivata
(4) Chatursruti dhaivata

35. Hindola is close to
(1) Bhanu Chandrika
(2) Bhanumati
(3) Bhavani
(4) Bhairava