cbse.nic.in : AISSE Hindustani Music Question Paper Central Board Of Secondary Education

Board : Central Board Of Secondary Education
Exam :AISSE Hindustani Music
Document Type : Question Paper
Website : cbse.nic.in

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CBSE Hindustani Music Vocal Sample Paper

(CODE 034)
THEORY
SECOND TERM (October 2011 to March 2012)
CLASS X
Time : 2hrs.
Max. Marks: 20

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Instructions

Answer all the questions. All questions carry equal marks.
1. Write the Notation System of Pt. Vishnu Narayan Bhatkhande.
2. Give the brief description of Natya Shastra.
3. Describe briefly Raga Khamaj.
4. Write in Notation the Drut Khayal of Raga Desh.
5. Tick(?) the correct answer.
(a)Book written by Pt. V.D. Paluskar–
i) Kramik Pustak Malika ii) Sangeet Visharad iii) Rag Vigyan iv) Sangeet Bharti
(b) What is the Thata of Rag Des?
i) Bhairavii) Bhairaviiii)Khamaj iv) Kalyan
(c) The Jati of Rag Des is :
i) Audav-Sampooran ii) Audav-Shadav iii) Shadav-Audav iv) Smpooran-Audav
(d) Author of Sangeet Ratnakar is :
i) Matang ii)Sharangdeva iii)Lochan iv) Bharat

Hindustani Music

 (MELODIC INSTRUMENTS) (CODE 035)
THEORY
SECOND TERM (October 2011 to March 2012)
CLASS X
Time : 2hrs.
Max. Marks: 20
Instructions : Answer all the questions.
1. Write the Notation System of Pt. .Vishnu Digambar Paluskar 4
2. Give the brief description of Sangeet Ratnakar. 4
3. Describe briefly Rag Desh. 4
4. Write the notation Razakhani Gat (Drut Gat) in Rag Khamaj. 4
5. Tick(?) the correct answer. 4
(a) Book written by Pt. V.N. Bhatkhande-
(i) Natya Shastra (ii)Sangeet Ratnakar(iii)Kramik Pustak Malika (iv) Raga Vigyan
(b) Jati of Raga Khamaj is-
(i)Sampurna-Sampurna(ii)Shadav-Sampurna(iii)Audav-Shadav(iv) Shadav-Shadav
(c)The author of ‘Natya Shastra’is-
(i) Pt. Ahobal(ii)Pt. Sharang Dev(iii) Tansen(iv) Bharat Muni
(d) Number of chapters in ‘Natya Shastra’
(i) 22(ii)28(iii)33(iv)36

SAMPLE QUESTION PAPER
HINDUSTANI MUSIC (Percussion Instruments) (CODE 036)
THEORY
SECOND TERM (October 2011 to March 2012)
CLASS X
Time : 2hrs.
Max. Marks: 20
Instruction : Answer all the questions.
1. (a)Write the Tala Notation System of Pt. .V.N. Bhatkhande 3+3=6
(b) Write the Tala Notation System of Pt. V.D. Paluskar.
2. Give the brief description of Natya Shastra. 3
3. Give the brief description of Sangeet Ratnakar. 3
4. Write Rupak Tala or Ektala in Thah Laya and Dugun Laya. 4
5. Tick(?) the correct answer. 1×4=4
(a) Number of Talis in Ektal is- i) 6 ii) 3 iii)4 iv)8
(b) Number of chapters in ‘Sangeet Ratnakar’are- i) 7 ii)14iii)16 iv)18
(c) Number of Vibhags in Ektal are- i) 2 ii) 6iii) 4iv) 12
(d) Number of Matras in Roopak Tala are- i) 12 ii)1iii)16 iv) 7

Karnatak Music

Time : 2 1/2 hours

Maximum Marks : 150

1. The Shuddhamadhyama mela of Dhatuvardhani
(1) Mararanjani
(2) Charukeshi
(3) Gangeyabhushani
(4) Sarasangi

2. Assertion (A) : ‘Chalamelara’ in Margi Hindolam describes the beauty of Rama.
Reason (R) : Tyagaraja compositions include Ninda stuti kritis.
Codes :
(1) (A) is correct, (R) is wrong.
(2) Both (A) and (R) are wrong.
(3) Both (A) and (R) are correct.
(4) (A) is wrong, (R) is correct.

3. The earlier name for ‘Swarakshara’ was :
(1) Swarasthana
(2) Swarartha
(3) Swarasahitya
(4) Swarabheda

4. A kriti in Kedaragoula
(1) Ali veni
(2) Marachuvadana
(3) Chakkaniraja
(4) Karunajaladhi

5. An ubhaya vakra raga
(1) Kannada bangala
(2) Nadachintamani
(3) Umabharna
(4) Poorvi Kalyani

6. The Kriti “Vallabha nayakarya” in the raga Begada has beautiful decorative anga.
(1) Swarakshara
(2) Solkattuswara
(3) Yati
(4) Manipravala

7. Sung by Ritwiks at the altar of sacrifice :
(1) Uha Gana
(2) Aranya Gana
(3) Yoni Gana
(4) Prakriti Gana

8. “Oyillattam” is
(1) Folk dances by men waving handkerchiefs
(2) Folk dance with sticks
(3) Folk dance with dummy horses
(4) Folk dance with story naration

9. A popular composer of Nrittanatakam
(1) Muthu Tandavar
(2) Govinda Deekshitar
(3) Melattur Venkitaramasastri
(4) Govindacharya

10. Sa ra ma pa nu sa Sa nu dha pa ma pa dha ma gu ra sa is the Arohana and Avarohana of
(1) Gowri
(2) Ghanta
(3) Gowlipantu
(4) Gamakapriya

11. ‘Veerasrinkhala’ title was conferred on
(1) Moolam Thirunal
(2) Muttaih Bhagavatar
(3) Shatkala Govinda Marar
(4) Parameshwara Bhagavatar

12. “Pushkara” is
(1) Trimukha Vadya
(2) Dwimukha Vadhya
(3) Ekamukha Vadhya
(4) Drum with open face

13. Prominent vaggeyakara lived in Tanjore
(1) Anayya
(2) Vinakuppier
(3) Pallavi Seshayyar
(4) Varadacharier

14. ‘Shanmukhapriya’ is used by Dikhitar in his kritis as :
(1) Shanmukhapriya
(2) Shanmukha
(3) Mukhapriya
(4) Chamaram

15. Sacred hymns by Manikavasagar
(1) Tevaram
(2) Tolkappiyam
(3) Tiruppavai
(4) Thiruvasagam