Name of the Board : CBSE Academic
Class : X STD
Document Type : Sample Question Paper SQP 2019-20
Subject : Carnatic Music (Melodic, Percussion, Vocal)
Year : 2019-20
Website : http://cbseacademic.nic.in/SQP_CLASSX_2019_20.html
CBSE Carnatic Music Question Paper
Download Question Paper of Class X Carnatic Music 2019-20 is now available in the official website of CBSE Academic.
Related : CBSE Academic X STD Hindustani Music Sample Question Paper 2019-20 : www.pdfquestion.in/34690.html
Melodic Questions
Section – I :
1) Identify the Vivadi Raga
1. Kambhoj
2. Abhogi
3. Nata
4. Hindolam
2. Tick the Audava Raga
1. Sriranjani
2. Harikambhoji
3. Kambhoji
4. Abhogi
3. Identify the Janaka raga
1. Kambhoji
2. Mechakalyani
3. Sriranjani
4. Nata
4. Identify the Raga with Antara Ghandara
1. Sriranjani
2. Suddha Saveri
3. Kambhoji
4. Hindolam
5. Identify the Janaka raga of Sriranjani from the following-
1. Harikambhoji
2. Sankarabharanam
3. Karaharapriya
4. Natabhairavi
6. Name the Bhashanga Raga
1. Sri Ranjani
2. Abhogi
3. Kambhoji
4. Nata
Section – II :
II. 1) Give the Lakshanas of any two of the following Ragas
1. Abhogi
2. Suddha Saveri
3. Nata
2) Give in notation the Uttaranga part of a tana varnam of your choice set in Adi Talam
Section – III :
III. 1) Describe the musical form –Kirtana briefly in 100 words
2) Evaluate the contributions of Lalgudi Jayaraman or S. Balachander for
Carnatic music
Section – IV :
IV. 1) Describe the Uttaranga Melas briefly
2) Work out the Poorvanga chakras and melas of 72 mela scheme
3) Give the swara sthanas of the following Raga
a) Nata Bhairavi
b) Mayamalavagaula
c) Sankarabharanam
Percussion Questions
Section – I :
1) Identify the tala employing anu drutam
1. Matya Tala
2. Ata Tala
3. Jhampa Tala
4. Eka Tala
2. Aksharakalas of Sankeerna Jati Ata Tala
1. 20
2. 11
3. 22
4. 12
3. Angas of Dhruva Tala
1. Laghu – Dhrutam Laghu
2. Laghu – Dhrutam Dhrutam
3. Laghu – Dhrutam Laghu Laghu
4. Laghu – Laghu – Dhrutam – Dhrutam
4. Aksharakalas of misra Jati Matya Tala
1. 14
2. 16
3. 17
4. 8
5. Identify the composer who systamalised the Sooladi sapta Talas
1. Tyagaraja
2. Bhadra-Chala Ramadasa
3. Purandara Dasa
4. Palghat Mani Iyer
6. Tick the two talas having same Akshara Kalas
1. Eka tala – Triputa Tala
2. Ata tala – Dhruva Tala
3. Matya Tala – Ata Tala
4. Rupaka Tala – Jhampa Tala
Section – II :
1) Enumerate the shodasa Angas in order.
2) Give in notation a Adi Tala Korvai.
III. 1) Evaluate the contribution of Palghat – Mani Iyer
Or
Palani Subhramaniya Pillai to the art of mridangam
2) Name the famous mridangam schools and explain in 50 words specialty of any one school
IV. 1) Describe the components of Mridangam briefly.
2) Explain briefly the solo bout played by mridangam
3) Describe the Jatis employed in Sooladi Sapta Talas, illustrating with examples
Vocal Questions
Section – I :
Identify the Upanga raga from the following
1. Kambhoji
2. Bhairavi
3. Ananda Bhairavi
4. Sri Ranjani
2. Find out the Vakra Raga
1. Suddha Dhanyasi
2. Suddha Saveri
3. Keeravani
4. Ananda Bhairavi
3. Tick the Shadava Samparna
1.Suddha Dhanyasi
2. Mayamalava Gaula
3. Bilahari
4. Kambhoji
4. Identify the Bhashanga Raga
1. Sriranjani
2. Suddha Saveri
3. Bhairavi
4. Keeravani
5. Identify the Raga with 3 Ahya Swaras
1. Bhairavi
2. Khambhoj
3. Ananda Bhairavi
4. Sri Ranjani
6. Select the Audava – Sampoorna Raga from the following
1. Suddha Dhanyasi
2. Bhairavi
3. Bilahari
4. Keeravani
II. 1) Give the Lakshanas of any two Ragas from the following
1. Suddha Dhanyasi
2. Sri Ranjani
3. Kambhoji
2) Give in notation the poorvanga part of a tana varnam set in Tala of your choice
III. 1) Enumerate the decorative angas found in Kriti and explain any two in 100 words
2)Evaluate the contribution of Papanusam Sivan or G.N Balasubramaniam to Carnatic music
IV 1) Describe the Poorvanga and Uttaranga Melas briefly
2) Write the swara Sthanas for the following janaka raga
1. Hari Kambhoji
2. Nata Bhairavi
3. Karaharapriya
3) Name the chakras of 72 Melakarta
Download X Carnatic Music Question Paper 2019-20 :
Melodic :
https://www.pdfquestion.in/uploads/pdf2019/34702-CM.pdfPercussion :
https://www.pdfquestion.in/uploads/pdf2019/34702-CP.pdfVocal :
https://www.pdfquestion.in/uploads/pdf2019/34702-CV.pdf
Marking Scheme
Section – I :
a (iv), b (i), C (iv), d (iii), e (i) f (iv)
Section II :
The candidate is expected to give the meaning of terms asked in a brief manner.
or
The candidate is expected to write the meaning and explain in very short manner.
Section III :
The candidate to expected to write how the instrument came into existence while it developed at different stages.
or
The candidate is expected to define different part of the instrument and its tuning of all strings.
Section IV :
The candidate is to name the raga from the phrase that refers to it and write one composition in any chosen raga from the two.
Or
The candidate is to recognize the ragas from the phrase and elaborate each raga with swaras so that raga is revealed properly.
Section V :
The candidate is to concentrate of the works of scholars in both practical and theoretical field
Or
The candidate is to write the contribution done by scholars in theory and practical aspects